Welcome to the Moonsorrow Interviews Compilation!
Here you will find more than one hundred Moonsorrow interviews, many of which have already disappeared from where they were originally posted. Check the Index and Contact pages above and the notes in the left column for more info.

Thursday, January 24, 2013

Finnish Undergröund Rädiö / August 2012

...interviewed by Narri
with Ville Sorvali of Moonsorrow
filmed by Nick Knudsen
@ Rocky Point Cantina, Tempe AZ
August 15, 2012
US Tour 2012





TRANSCRIPTION


The tour started out kind of crazy, how is it going so far?

We had a lot of good times, it's been great so far. At this point we are getting [tired?], but we had two days off.

Are you working on anything new?

We never do any new work on tour. I know bands who actually compose new material on tour, but I don't feel comfortable with the idea. I just like to concentrate on the shows.

A lot of Finnish bands that are beginning to have global success are starting to write lyrics and sing in English. Is that a trend Moonsorrow might follow?

Never. We will always stick with Finnish.

What are some themes or inspirations behind your lyrics?

I guess the main thing is that the lyrics, whatever they are, they always have the pagan undertone. You can't describe it in one word, but it's like... I'm influenced by the old traditions and the old culture before Christianity, and the respect for nature that our ancestors had, stuff like that. It's basically that I want the lyrics to be somehow apart from this fucked up society that I don't even want to live in, but I have to. I don't even have a choice, because there is no time machine. The lyrics for the new album actually take place in the future; this isn't tied to any period in time; they just have the same undertone [incomprehensible couple of words]. On this new album is what happens after the end of the world, when almost everyone died and there's just a group of survivors. It's a story, it has a beginning and an end, and it's basically that these guys have to find their way, because the whole system collapses, so they have to go out into the wild and try to find [ruins?]. The story is a bit less than one year and in the end everyone dies, so they don't survive even for one year.

Does Finland or Finnish culture influence your music? How so?

I always felt that I am Finnish, and I'm very interested in everything that people before [?] how they were thinking abouit the world. Finland is a very special place. Every winter we are like, "why the hell did Finnish people think about settling here?"

What is the strangest thing that has inspired you?

I have absolutely no idea. They just kind of pop up in my head. I have been writing, for example, when I was travelling alone in a train, looking out of the window, and grabbing my notebook.

How do you think Moonsorrow's music has evolved from the first album?

Quite a lot, I think. [laughs] Of course. Some of the others might disagree, but we have been taking huge steps forwards with each album and we always try to explore some new territories without forgetting our roots. Every time we sit down and start writing material for the new album, that is the turning point where we actually know what it's going to be like. Maybe we had some rough ideas, but it's only when we start writing that we know.

It's been said you consider yourselves Epic Heathen Metal. Can you explain what that is?

We don't want to describe our music, it's alive all the time. But it's metal, that is for sure; it has the term "epic" because it's kind of... You know, "epic" doesn't mean long songs or anything, as most people think. Epic as a word means "telling a story", and our songs are... it's a cliché to say it, but our music is more than just music, it's supposed to paint a picture in the head of the listener. So that's the "epic" part. And the "heathen" because we are heathen, we don't really like this Christ dude. [laughs] We want to describe our music as heathen or pagan metal because we don't want to tell too much about the music, we want to tell about the influences that we have.

Your fifth album, Viides luku: Hävitetty, is comprised of two 30-minute songs. How do you get inspired to write such lengthy tunes?

No idea. Why did we do that? It was how it felt at that time. We started writing and realized that Henri, who writes most of the music, had the intro for the first song and it was already six minutes, so we kind of knew that this was going to be something very extraordinary. We didn't stretch it intentionally, it just happened. Then we were like, "ok, we have one 30-minute song, let's have another one as well, let's see where we can go with this." It was a thing we had to do.

Throughout the years of the band, was there ever a time where you felt like you wanted to throw everything out and just start over?

No. All of us have had our moments, especially on tours, where we think "is this really worth it? I'm flying home, you carry on," but it's never that serious. We are a tight unit, every one of us is basically married to this band.

What's one thing you have learnt about people while being on the road or travelling?

More than about people, I've learnt a lot about myself, especially when I'm spending time alone in some foreign place. That's what I'm aiming to do, actually; I want to... I think everyone needs to know themselves; not everyone wants to, but I do. I take these experiences as an opportunity to get closer to myself by seeing other places and people who live there. When it comes to the people, [cuts abruptly and ends].

 

Transcribed on 23·II·2021.

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